Description
First introduced in 1965
Derived from natural earth clay tinted by iron oxide, this deep red pigment was mined for centuries from a quarry near Venice.
| Working Time | High |
| Drying Time | Slow  May vary on shades, application, medium, weather conditions, and surface
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| Shade | Venetian Red |
| Shade Code | 447 |
| Series Number | 1 |
| Pigment Code | PW 6, PR 101, PY 42 |
| Transparency | OpaqueBold shades that are more reflective and will cover or hide what’s under them.
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| Permanency | ABetter Permanency can be achieved if used in Mass Tone or not used in Reduced and Wash Tone with shades that have a Permanency rating of B and C
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| Features | |
| 01 | Superior effects with high-quality pigments and greater pigment load |
| 02 | To be used on primed canvas/paper only |
| 03 | Must be used with Linseed Oil as primary medium |
| 04 | Can be used in impasto, glaze and wash techniques |
| 05 | Ideal for 'Wet in Wet' blending |
| 06 | '‘Fat Over Lean’ technique offers the best results and long life The base coat should have a minimal amount of oil medium while the subsequent coats will gradually increase the ratio of oil to shade
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