First introduced in 1965
One of the first pigments used for painting, Sienna can be found in prehistoric cave art. It is often used as a glaze because of its transparency and in wood finishing for stains and graining.
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| Working Time |
High |
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| Drying Time |
Slow, May vary on shades, application, medium, weather conditions, and surface
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|
| Shade |
Burnt Sienna |
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| Shade Code |
031 |
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| Series Number |
1 |
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| Pigment Code |
PR 101 |
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| Transparency |
Transparent, See-through shades that are great for layering and glazing.
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|
| Permanency |
A Better Permanency can be achieved if used in Mass Tone or not used in Reduced and Wash Tone with shades that have a Permanency rating of B and C
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|
| Features |
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| 01 |
Superior effects with high-quality pigments and greater pigment load |
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| 02 |
To be used on primed canvas/paper only |
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| 03 |
Must be used with Linseed Oil as primary medium |
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| 04 |
Can be used in impasto, glaze and wash techniques |
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| 05 |
Ideal for 'Wet in Wet' blending |
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| 06 |
'‘Fat Over Lean’ technique offers the best results and long life. The base coat should have a minimal amount of oil medium while the subsequent coats will gradually increase the ratio of oil to shade
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