Gold Ochre’s appeal seems to be the way it points back to the past and the future simultaneously. It is a primordial earth colour and the glowing light of paintings from old masters. It is as sought after as the ‘golden light’ by photographers at sunset.
|
|
Shade
|
Gold Ochre Transparent
|
|
|
Shade Code
|
172
|
|
|
Working Time
|
High
|
|
|
Drying Time
|
Slow- May vary on shades, application, medium, weather conditions, and surface
|
|
|
Series Number
|
3
|
|
|
Pigment Code
|
PY 83, PR 101, PY 42, PBr 7, PBk 11
|
|
|
Transparency
|
Semi Transparent- Balanced shades that offer both boldness and visibility of the background.
|
|
|
Permanency
|
A- Better Permanency can be achieved if used in Mass Tone or not used in Reduced and Wash Tone with shades that have a Permanency rating of B and C
|
|
|
Features
|
|
|
Superior effects with high-quality pigments and greater pigment load
|
|
|
To be used on primed canvas/paper only
|
|
|
Must be used with Linseed Oil as primary medium
|
|
|
Can be used in impasto, glaze and wash techniques
|
|
|
Ideal for 'Wet in Wet' blending
|
|
|
'‘Fat Over Lean’ technique offers the best results and long life - The base coat should have a minimal amount of oil medium while the subsequent coats will gradually increase the ratio of oil to shade
|
|
|
100% vegan
|
