Description
First introduced in 1965
Although gold was discovered and used as money in 700 BC, the first recorded use of the word ‘gold’ as a colour was in 1300 BC. It was made by mixing yellow, brown and orange pigments together, notably popular in ancient Egyptian and Roman art.
| Working Time | High |
| Drying Time | Slow, May vary on shades, application, medium, weather conditions, and surface |
| Shade | Gold |
| Shade Code | 171 |
| Series Number | 4 |
| Transparency | Semi Transparent, Balanced shades that offer both boldness and visibility of the background. |
| Permanency | B Better Permanency can be achieved if used in Mass Tone or not used in Reduced and Wash Tone with shades that have a Permanency rating of B and C |
| Features | |
| 01 | Superior effects with high-quality pigments and greater pigment load |
| 02 | To be used on primed canvas/paper only |
| 03 | Must be used with Linseed Oil as primary medium |
| 04 | Can be used in impasto, glaze and wash techniques |
| 05 | Ideal for 'Wet in Wet' blending |
| 06 | '‘Fat Over Lean’ technique offers the best results and long life. The base coat should have a minimal amount of oil medium while the subsequent coats will gradually increase the ratio of oil to shade |